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Showing posts with label Shia LaBeouf. Show all posts
Showing posts with label Shia LaBeouf. Show all posts

Jul 24, 2007

Fletch's Film Review: Transformers

Well, I've put this off long enough to the point of irrelevance, but I figured I ought to at least post a short take with my thoughts on Transformers.

It's funny, really. For all the crap Michael Bay takes, he is generally regarded as a good "action director," experienced with big set pieces and complex action with a lot going on, be it gunfire or explosions or - most often - both. However, the big action sequences in Tranformers, expensive-looking as they may be, are probably the worst thing about the movie.

Most of the problem lies with the 'bots themselves. With this modern take on the 80s cartoon focused on a bit of realism when it comes to the origins and capabilities of the alien robots, the end result is a semi truck that, when transforming from upright form to truck form, seems to be made of a billion parts. The same could be said for any of the other robots. Now take that complexity and throw it into fight scenes between two or more hunks of metal that change shapes seemingly constantly. Add on to that the fact that the Decepticons all look generally the same (grays, blacks and whites) and the confusion really sets in (luckily, the Autobots are easier to tell apart).

What you're left with is essentially Independence Day with incomprehensible action. Sure, it's a loud, shiny spectacle (albeit with some very cool moments for anyone who grew up with the cartoon and toys), but in the end, it's empty, shallow and destined to be forgotten within moments of leaving the theater. So, a typical Bay film, in other words. Whether that's a good thing or bad thing for you depends on your feelings going in, I guess.

I'd expand more, but is it really necessary? Instead, just a couple more unorganized thoughts:

* Some may deride it, but I really enjoyed the "hidden location" (and explanation) of one of the robots. It's just the kind of geeky conspiracy theory that's just dumb enough to be brilliant.

* The movie would have been a good 2-3 times more enjoyable had they scrapped the entire "hackers/Aussie chick/Anthony Anderson" storyline. It added nothing, and was annoying and time consuming to boot. Jon Voight was laughably bad as well.

* John Turturro, playing essentially a role that looks like it belonged to Steve Buscemi, bombs. He's meant to be comic relief, and a bit of a threat to Shia LaBeouf, but just comes off as a pest.

* Though I wouldn't want to spoil the aforementioned location, let's just say that upon leaving that location, the action moves to a metropolitan area that was seemingly concocted just for the film. I found that interesting.

* Though I know some hate him (Gaylord, for instance), The Boof is probably the best thing the film has going for it - outside of the obvious. He doesn't take himself too seriously or too lightly, which is a good tone for these sorts of movies. It's the same reason Will Smith excels in these roles.

Fletch's Film Rating:

"Whatever."


And then...

Jun 21, 2007

Fletch's Film Review: Surf's Up

If you read TGITDNMAR a couple weeks back, you saw that my chance of seeing Surf's Up in the theater was listed at 50%. However, Mrs. Fletch commented that hers was 80%. Well, average that out, and throw in a crappy week of new releases last Friday and that translates to us in the theater watching a surfing penguin movie.

Let me tell you - if you see only one surfing penguin movie this year, make it this one. Surf's Up is an entertaining movie, with (as predicted) a bit of sentimentality, but more so, it's packed with great performances by its voice over actors, a soundtrack that doesn't rely on 60s surf tunes or established, overused pop hits (a few songs heard prominently are Green Day's "Holiday" and "Welcome to Paradise," and "Get What You Give," by the New Radicals), and a great mockumentary style that sets it apart from the rest of the animated "kids" movies out there.

Much-seen-lately Shia LaBeouf stars as Cody Maverick, a runt of a flightless bird who lost his father young (the filmmakers even make that funny - much different than the Disney brand of parental issues), has a bullying bigger brother and an airhead mother. Cody wants to be just like his fallen idol Big Z - in other words, he wants to be the best of the best amongst surfers. Though none of it is groundbreaking , I won't give away the story, but suffice it to say that it is satisfactory (the Big Z storyline is practically straight out of The Karate Kid).

If you're not sick of seeing/hearing LaBeouf lately (Disturbia, Transformers), you're bound to enjoy him here. He brings the right attitude to Cody, being plucky and determined while remaining funny. Also on board (no pun intended) are:

* Jeff Bridges in a perfect role for him, especially if you enjoyed his performance in The Big Lebowski).

* Jon Heder, aka Napoleon Dynamite, who plays a stoner chicken named, uh, Chicken Joe. Heder gets to steal many of the funnier lines in the movie and never gets annoying, which is nice.

* Diedrich Bader, more or less reprising his small role from Napoleon Dynamite - classic.

* James Woods as a generally annoying talent agent (on purpose).

* Zooey Deschanel, every bit as forgettable as she was in Elf. (Not a knock on her as an actress, but it just feels like she could be replaced by just about anyone and you wouldn't know the difference, which I guess is in fact a knock on her as an actress. Sorry, Zooey.)

The filmmakers took full advantage of the faux documentary style. From showing "historical footage" and other documents to interviewing everyone from Cody's family to the villain to the Woods' agent, no detail was left uncovered, and it is the source for many of the laughs in the movie (ex: the interviews with a trio of younger surfers). At times, the movie more or less abandons or forgets the style, but always picks it up or reminds you of it in a short time.

Granted, since I don't have a two-year old, I haven't seen that many animated flicks lately, but I'm guessing this is one of the better ones of the last five years, after Finding Nemo and The Incredibles. God knows it looks better than Happy Feet...

Fletch's Film Rating:

"Darn tootin'!"


Mrs. Fletch's Film Rating:

"It's in the hole!"



* Finally, I ought to add that even though we all probably take it for granted these days, the computer animation kicks ass. The ocean waves during the surfing scenes are photo-realistic. Pretty stunning stuff. My only gripe is that some characters are given the über-accurate treatment in terms of how the animal might look in nature, while others resemble comics characters (which was probably done on purpose, for comedic effect. Duh.). Anyway, that's just a minor gripe.
And then...

May 3, 2007

Fletch's Film Review: Ten 'til Noon; Disturbia; Hot Fuzz

Since I'm getting way behind, some short takes on three films I saw last week:

Ten 'til Noon

This is a pretty good example of trailers being effective marketing, for I would have never seen this movie (and possibly never have heard of it) without having seen the trailer. Though a small, small budget indie (more on this later), it has a terrific concept.

10 minutes of the same crime, told in real time, from five (or six - I can't recall for sure) different perspectives, followed by some tying up of the story afterwards. Think Rashomon (note: shame on me, for I haven't seen this, but know the general story) meets Run Lola Run. Granted, this film comes nowhere close to those two in terms of execution, but it's still a great concept.

The story focuses on the conning of a software developer (read: rich guy). There are certainly some colorful characters, and the writing isn't bad, but it's nothing memorable, either. The cast is full of people who you've have never, ever, heard of (Rick D. Wasserman? Jenya Lano? I didn't think so.). In fact, the only person I recognized (and only because I'm a big dork who happens to have a semi-photographic memory of actors and their roles) is Dylan Kussman, of Dead Poets Society "fame" (he was the smarmy red-haired kid who ended up ratting on the rest of the gang).

Likewise, it's obvious this was filmed on a shoestring budget; had the production values been a bit higher (better soundtrack, a known actor or two), this might be getting comparisons to (or at least getting accused of ripping off) Quentin Tarantino. However, as it stands, it looks and feels like a really well-made Cinemax flick (minus the soft-core porn).

Fletch's Film Rating:

"Whatever."


Disturbia

Shia LaBeouf has a bright future ahead of him. From his breakout role on TV in the tweener show Even Stevens to his breakout film role in Holes (a very good teen movie, by the way) to his supporting roles in such disappointments as I, Robot, Constantine, and Bobby, he has shown a charisma and appeal that few his age have. Like Matt Damon and John Cusack before him, he looks his age, yet has always talked with the confidence of an adult, and a smart one at that.

Unfortunately, as evidenced by the string of duds listed above, not to mention other disappointments like The Battle of Shaker Heights and The Greatest Game Ever Played, either he or his agent(s) aren't very smart when it comes to picking films to work on. Disturbia is no different.

If you've seen the trailer for Disturbia, there is really no point in seeing the film. It's all there in those two minutes - there are no surprises, no shocking events, nothing really remotely interesting. It's just longer. Though David Morse is good (in creepy mode) as usual.

Fletch's Film Rating:

"I want you to punch me as hard as you can."


Hot Fuzz


Probably not much needs to be said here in terms of introductions, as Fuzz is getting a good amount of press. To sum up, if you saw and liked Shaun of the Dead, then this film is for you. If you didn't like Shaun, there's a good chance you won't like this. And if you haven't seen either, I recommend them.

As with Shaun, Simon Pegg and Nick Frost once again co-star as buddies (though here their partnership is more or less forced on them), this time as policeman, though the chasm between their respective skills is about as wide as the Grand Canyon. Yada yada yada, the story doesn't much matter. This is their send-up of American action movies, though as you've probably heard, they're not out to parody those films, but to at once lampoon and revere them, most notably Point Break (a wise choice, and in this reviewer's opinion, one of the best action movies to come out in the last 30 years), the Lethal Weapon series, and Die Hard.

Probably the most impressive thing the filmmakers have done is that they've recreated much of the action movie magic with a budget comparable to your standard Woody Allen film. Were Jerry Bruckheimer given a budget matching Hot Fuzz's reported $15 million, he would probably come away with a killer two minutes of screen time.

Aside from that, the film hits on its notes, with only the action-packed third act being the weak part (ironic, no?). This is a testament to the sharp writing (by Pegg and co-writer/director Edgar Wright) and solid acting all around (though they received more than enough help from just about every British actor out there - a Harry Potter movie has fewer recognizable faces. Among them: Bill Nighy (Notes on a Scandal, Pirates of the Caribbean), Jim Broadbent (Moulin Rouge), Timothy Dalton and a "hidden" cameo by Cate Blanchett.

Fletch's Film Rating:

"It's in the hole!"
And then...